The tripod sculpture explores the vessel as a metaphor for the feminine body: a form capable of holding, receiving, and transforming. Their rounded, organic volumes suggest a body in a state of quiet presence, while the three points of contact create a sense of balance.

Rooted in ancient vessel forms, the vases draw on the history of the vessel as both a functional object and a symbolic container. I am interested in what happens when a vessel moves away from utility and becomes a body, an archetype, or an intuitive presence. The tripod structure gives the works a groundedness, while their elevated centers suggest something that is rooted in the earth. Their surfaces carry traces of process and chance, allowing the material itself to become part of the language of the work. In this way, the sculptures speak to a strength that is not rigid or imposing, but fluid and receptive.

In connection with Cassandre, the Feminine Oracle, they evoke the quiet authority of inner knowing and the ability to sense and understand what cannot always be articulated. Rather than offering answers, the sculptures invite a slower kind of looking, one guided by intuition and feeling as much as by reason. Together, they become vessels for an unseen presence: a meditation on the wisdom, depth, and quiet strength that lives within the feminine.